Editorial ~ Clare Suet Ching Chan

Assessing Poiesis as an Effective Approach to Integrating Music and Visual Art ~ Janel G. Bauza-Wahiman

Paradigm for the development of a Lanna music curriculum in Higher Education in Northern Thailand ~ Khanithep Pitupumnak

A Pedagogical Canon for Electric Guitar: An Australian Cultural Perspective ~ Daniel A. Lee

Understanding the Pull Motivations of Malaysians Women Music Teachers as Music Entrepreneurs ~ Cheong Ku Wing

Benefits of listening for harmony on the performance of wind instrument beginners ~ Prapassorn Puangsamlee, Kyle Fyr

The Effects of a Chinese and Cuban Music Programme on the Cultural Understanding of Elementary Children ~ Lily Chen-Hafteck

'Inbetweenness': Transcultural Thinking in my Compositional Practice ~ Lee Chie Tsang Isaiah

Sounds of Lisu Music to New Music for Guitar and String Quartet ~ Suppabhorn Suwanpakdee

The Urban Soundscape: Analysing the Spatiotemporal Distribution of Acoustic Events and its Influence on the Racial/Ethnic Composition of New York City Neighbourhoods ~ Shuraifa Asmah Shad Saleem Faruqi

Four-Hand Piano Transcriptions and the Reception of Symphonic Repertoire in Nineteenth-Century Europe ~ Elissa Miller-Kay

Voice Characteristics of People with Parkinson's Disease (PwP): An Overview on Baseline Vocal Characteristics and Guidelines for Therapeutic Singing ~ Mei Foong, Ang